Broadway performers make the demanding feats of singing high notes, delivering emotional scenes, and executing intricate choreography appear effortless — sometimes up to eight shows a week. Yet, the true foundation of their performances happens behind the scenes: warming up vocal cords, conducting fight choreography rehearsals to stage physical scenes safely, and exchanging supportive gestures that help actors focus mentally before stepping onstage. We observed the pre-show routines of four Tony-nominated productions — “Buena Vista Social Club,” “Sunset Boulevard,” “John Proctor Is the Villain,” and “Oh, Mary!” — as their casts prepared to perform.
Although the Tony Awards ceremony is still weeks away, one highlight is already clear: the eleven passionate musicians in the onstage band of “Buena Vista Social Club” will receive a special Tony Award in recognition of their contribution to this year’s festivities.
The heart of this musical lies in its music and dance, inspired by the Cuban ensemble named after a renowned mid-20th century Havana nightclub, famously featured in a Wim Wenders documentary.
Among the many Cuban American artists involved is Patricia Delgado, who co-choreographed the show alongside her husband, Justin Peck. She shared, “I grew up surrounded by this music at every family celebration.”
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