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New York Historical Exhibition Revisits the Red Scare’s Impact on American Society

The New York Historical presents an exhibition examining the anti-Communist campaign that disrupted Hollywood and shaped American political culture.

Eleanor Vance
Published • 3 MIN READ
New York Historical Exhibition Revisits the Red Scare’s Impact on American Society
Representative J. Parnell Thomas, chairman of the House Un-American Activities Committee, in discussion with actor Robert Taylor in 1947.

For those curious about the cyclical nature of history, an upcoming exhibition at the New York Historical offers both reflection and caution.

Titled “Blacklisted: An American Story,” the exhibit delves into a troubling era in U.S. history marked by two decades of intense scrutiny and persecution of leftist political activists and alleged Communists within Hollywood, a period that devastated careers, led to imprisonments, and sowed division across the entertainment industry.

While the exhibition encourages visitors to draw lessons from the past, its primary aim is to provoke thought and dialogue about these historical events.

Louise Mirrer, president and CEO of the New York Historical, explained that the show serves as a reminder of a time when the very definition of American identity and citizenship was fiercely contested. She noted, “We face many of the same questions today that surfaced at the beginning of the Blacklist era. This exhibition is both timely and relevant.”

Running from June 13 to October 19, “Blacklisted” spotlights the Red Scare, a prolonged period that began after World War I and intensified during the 1940s and 1950s. During these years, politicians, government officials, and agencies aggressively investigated and targeted individuals for their left-wing beliefs and suspected Communist affiliations, whether justified or not.

Eleanor Vance
Eleanor Vance

A seasoned journalist with 15 years of experience, Eleanor focuses on the intricate connections between national policy decisions and their economic consequences.